Interview : Marina - Ambehr

Interview by Vard Aman


Ambehr are one of the most unique bands around, from their sound to their history. They were founded in 1995 by Art (bass & vocals) in Armenia – a country not well known for its heavy music. In fact, it’s a country that not many people know much about at all. (Go to your atlas – it’s the orange bit just below Georgia… no, not that Georgia, the other one... Got it?… Excellent!) They then relocated to Russia, where they have remained ever since. But the most unique thing about Ambehr is the music they make. Inspired by their roots and not limited to any style, they have created “Amber Metal” – Folk Metal, but not like any other kind of Folk Metal; Power Metal, but not like any other kind of Power Metal; Progressive, but not like any other kind of Progressive. Art was later joined in Ambehr by his sister, Marina, on vocals; and together they have created a dual vocal style that has come to typify that unique Ambehr sound. I caught up with Marina to talk about Ambehr (and about Armenia too).

Hi Marina, welcome to Femme Metal Webzine.

Hi Vard, nice to meet you.

I understand Ambehr is originally from Yerevan in Armenia. When did you move to Moscow? And why?

Yes, Ambehr comes from Armenia. The band was founded in 1995 by Art. In fact originally there were only three musicians in Ambehr, Art (bass, vocals and author of all the songs up to now), Ashot (guitar) and Hrant (drums), no female vocals. They decided that there would be more new possibilities to grow for the band in Russia and left for St. Petersburg first. It was in 1998, 14 years ago. They earned their living and played gigs there till 2000 (and recorded their demo album, "Life and Death"); after that Ambehr moved to Moscow. I joined Ambehr as a female back-vocal only at the end of 2003 in Moscow together with Natalie from Nemethon, Moscow (now she sings in Arcane Grail, Moscow/Germany); our first song on the stage was "Spider’s Web" from the album of the same name (2005).

Have there been a lot of changes to the line up over the years?

Actually since 2002 Ambehr has changed 5 guitar players: In 2002 two guitarists, Zurab and Vitaly, came to the band instead of Ashot who went back to St. Petersburg; In 2008 they were replaced by Igor and Vladimir; At the end of 2011 Igor left and now Dmitriy is our new guitarist.

Have you been back to play in Armenia since?

We were invited to the fest in Yerevan in 2008; it was a big international festival Rock the Borders with Italian band Sadist as a headliner. Before that we had got some invitations from Armenian organizers ended by nothing due to very expensive cost of trip from Moscow to Yerevan.

Armenia is a country that not many people know very much about; including I'm ashamed to say, myself. Tell us a bit about Armenia. What is it like a country? What is it like to live there, or to visit there?

Armenia is a place where I will always long to return. It is tiny but very beautiful, with an ancient cultural heritage. The summer is very hot there. It lies in the highlands near the Biblical mountains of Ararat. Armenia is rich in monuments of culture and nature; that is why it is called "open-air museum". There are over four thousand unique monuments in Armenia: the monuments of the pre-Christian era and many ancient Christian temples which are all over the country. I love our unique Lake Sevan, Jermuk waterfall, lake Parz and Kari, as well as beautiful and diverse mountain landscape of the country. I think if you visit Armenia in summer you will never forget it!

Of course, Armenia made world news in 1988 with the massive earthquake in Spitak and subsequent relief efforts, including "Rock Aid Armenia" that featured many Metal and Rock musicians. That was a long time ago now. Do you remember any of it?

The charity concert with ELP, Gary Moore, Black Sabbath, Asia, Mike & the Mechanics, Rush, Deep Purple, Bon Jovi, Iron Maiden, Led Zeppelin, Foreigner, Pink Floyd, Queen, Yes, Whitesnake and others was held on July 8, 1989 in London and after that, in 1990, the album was released. Certainly I remember that many famous musicians (as well as simple people all over the world) supported Armenia in trouble and provided a real help to the victims of the earthquake. We are very grateful for their efforts and will never forget about it.

What is the metal scene like in Armenia?

As I’ve been living in Russia for many years I’m afraid that my opinion about the metal scene in Armenia wouldn’t be full and correct. However I can say that at the moment there are many good bands in Armenia; with female vocal - I can mention Stryfe with Eva (maybe the band has changed the name now) and Dogma with Zara (Zara’s sung recently with Ian Anderson from Jethro Tull in Yerevan); for me, they are really fantastic singers!

Listening to your excellent and unique dual vocal style, you and Art really seem to work very well together and compliment each other perfectly. Does it help being brother and sister? Have you always been making music together?

To tell the truth, we’ve been singing together since we were children (our father taught us some Italian songs when I was 6 and Art was 4.5 years old). When my brother was 12 he learnt to play guitar, and we began to sing The Beatles, later - Deep Purple, Led Zeppelin, Metallica etc.; the audience were our family and our friends. Besides, we both finished music school: Art learnt to play the piano and my specialty was violin. We really understand each other very well, and when Art invited me to sing in Ambehr at last, it was not difficult for me to join the band. But I have to mention that Art is the author of all my vocal parties.

Your music is very diverse. Each song on "Amber Dreamland" sounds very different from the next. Do you have any insight into Art’s songwriting process?

It depends on his mood at the time. I would like to know myself how he creates these bright pieces of light… All I can say is that Art has always expressed his feelings through music. And I love his music very much.

Describe Amber Metal for us.

Frankly speaking we can’t define our music style now. Some reviewers call it power metal, others – power & folk basing on death-thrash! For me, Amber Metal is just beautiful songs about everything that excites most of people: life and death, nostalgia about the times of heroes and knights and today’s relations between people.

How has your sound changed over the years?

The style changed from one album to another, every time we were asked why. We cannot explain the reasons exactly, maybe the band just grows up and would like to change ways of self-expression. When two first demo albums were released there was no female voice in the songs; the band played death-thrash music. "Spider’s Web" was also in the style of death-thrash but with female back vocal. Only from the next release, "Sword’s Song" (2006), the sound began to differ noticeably from the previous albums, it became softer than earlier. The last CD that was released in 2011, "Amber Dreamland", is mainly a collection of melodic songs; the ballade of the same name describes the Land of Amber. Each song on the CD is a different story, at first glance, independent of each other, but united by one feature – they are about our dreams of Amber Land which come from fairy tales and maybe from our childhood.

"Garnan Aravot" ("Spring Morning") is sung in Armenian (I hope I got that right). Are you going to write more songs in Armenian in the future?

You are right – "Garnan Aravot" is sung in Armenian. In one interview Art confessed about this song that it was extremely difficult for him to write the lyrics in Armenian. Originally he had written all the lyrics only in English, later he wrote some Russian songs. Armenian is a very complicated language to know it perfectly and especially to set to music. Art told that he would try to write more lyrics in Armenian for our new releases…

"Garnan Aravot" certainly turned out very well in the end! What is it about Armenian that makes it such a difficult language to sing?

It’s easy to sing in Armenian when the lyrics are written perfectly, but it’s difficult to create a good text in Armenian. There is a huge difference between literary Armenian and colloquial language. You should find a fragile border between them – only in this case the lyrics will be simple and elegant at the same time, only then it will go well with the melody.

Does Armenia have its own unique style of folk music?

Certainly it does. For example, maybe you have heard the music of Jivan Gasparyan with his duduk, he is famous all over the world…

Other that "Garnan Aravot", "Amber Dreamland" is all in English; while your 2007 album, "Chornaya Doroga" ("The Black Road") is in Russian. What are your thoughts on singing in different languages on different albums?

As I’ve told originally Art wrote lyrics for our songs only in English. One day he wrote a couple of songs in Russian for a female band. Shortly after that the band broke up. So we decided to use these songs for our Russian album as a separate project (in order to be understood better by Russian audience). It was a good experience, some songs from the album "Chornaya Doroga" was a great success for Russian audience. So we understood that we could go on with Russian songs for Russia and with songs in English to be heard also outside Russia.

Have you ever been tempted to include both Russian and English songs on one album, or to release both Russian and English versions of the same album as some other Russian bands have done?

For me it’s not a good idea to mix Russian and English songs in one album, it would be an album without a concept - for no one. From my point of view Russian songs are Russian first with their melodies – lyrics just supplement the picture. But translating a Russian song into English can simply kill all its charm.

Do you have any personal favourites from "Amber Dreamland"?

Certainly I do, best of all I like songs "Let’s Go Down", "Proud Heart" and "Garnan Aravot" (I like very much the lyrics of these songs as well).

Tell us a bit about your upcoming album, "Bezdna" ("Abyss").

It is a Russian album; the music is melodic with elements of folk. It was recorded together with "Amber Dreamland", but was not released at the same time due to different reasons. I hope you will have an opportunity to listen to it soon, in about two months.

How often do you play live and how do you find the audiences in Russia?

Now we do not play live so often as earlier, several times a year - while some years ago we played two or three times a month. Anyway I can say that the audiences in Russia are very sincere and hearty, especially outside Moscow.

Have you done any tours, and have you toured outside of Russia and the CIS?

We travelled to many towns in Russia to separate concerts or festivals but not tours. The reason is that  the bosses will not tolerate our long absence in our offices. Unfortunately we did not tour outside of Russia and CIS (except one time to Armenia). I hope still there will be a chance for our band to do it in the future…

What do you like doing when you’re not singing for Ambehr?

I like to read good books, also I have a hobby - walking trips and living some days in a tent. When I lived in Armenia I was fond of paragliding during 5 years and also jumped with parachute several times! Unfortunately in Moscow I haven’t got any opportunity for it…

Thanks very much for talking to us Marina! We're looking forward to hearing the new album soon, and many more to come!

Thank you for your attention; it was a pleasure for me to talk with you. Good luck to you and to Femme Metal Webzine!

 

Links

MySpace 

Marvel – "Reduce My Pain" EP & "Naiti Sebya" SINGLE (2011)

Independent Releases

Review by Vard Aman

Delia, and now Marvel – Kiev, Ukraine, seems to be holding onto some real gems currently, that’s for sure! Marvel formed in 2006, and released their debut album, "V Kazhdom iz Nas" (which at the time of writing this review I had not yet heard) in 2010. In early 2011 they released two versions of a new EP "Reduce My Pain" (in English) and "Ona" (in Russian – meaning "She"); and at the end of 2011, their new single "Naiti Sebya" (meaning "Find Yourself"). Marvel describe their music as being Alternative Rock, which is a pretty broad description but probably a good one as Marvel’s musical style going by their EP and single is a very hard one to categorize. There is a very strong Metal element in their music as well, in fact, considerably more so than many of the bands out there who do claim to be some kind of Metal (usually in the guise of Modern Metal or Nu-metal). Marvel are honest and true to themselves. They play the music they want to play. They’re Marvel. So, with that, let’s stop talking about what they play and concentrate on how well they play it instead – which is very well indeed! "Reduce My Pain" consists of 3 tracks. All 3 are very well written and arranged and very well preformed and produced (and really catchy – they’ve been dominating the in-my-head playlist for a while now, and I’m certainly not complaining). Vocalist, Olga Skripova, makes use of a perfect combination of power and control, and she uses her voice not just really well, but wisely too. Her voice is the dominant feature but compliments the music perfectly – displaying an amazing talent but never forgetting that she’s part of a band. This to me is the hallmark of a really great vocalist – which Olga most certainly is (whether you share my opinion on hallmarks or not – listen and you’ll hear). "Tantra" is the first track and has a feel to it that the song title suggests. It’s also the most uptempo song on the EP but with measured changes that lays the platform for the next 2 tracks. One criticism I do have of "Tantra" is the use of a distortion effect on some of the vocals – I don’t think the effect really adds anything to the sound other than give it a slightly industrial feel (what for?) and I think that anything that excessively masks a voice like Olga’s is really taking something away rather than adding something. Other than that one small criticism it is a really good track. The next 2 tracks, "Reduce My Pain" and "My Own Passion" are the real highlights of the EP. They are both intense and powerful songs, and superbly (and intricately) written. They are a musical journey full of rises and falls; nadirs and zeniths; calm serenity building into brutal crescendos and falling again… all within 8 minutes (12 if you count "Tantra"). There is no central lyrical concept connecting all 3 tracks, but musically it does feel as if there is – and Marvel could not have done a better job of it had this actually been their intention (or maybe it was). That said; perhaps it is a good thing then that this is just a 3 track EP. Had it been longer, might the effect of its impact have been lost? Maybe, or maybe not; but one thing for sure is that while it might be a short musical journey, it is not one that will be forgotten in a hurry. And it’s a journey that makes one want to go back to the beginning and do it all over again… and again… and again….

So what if they had added a fourth track to the EP? Well, just listen to "Naiti Sebya" straight afterwards and find out. Marvel’s musical journey continues. The single is similarly well written to the material on "Reduce My Pain" with all of the musical crests and troughs and interesting extras that seem to typify Marvel’s music. "Naiti Sebya" is slower (in parts) than the material on "Reduce My Pain"; almost a ballad (in parts). The production is a little muddier here compared to the crystal-clear production on the EP but only when compared to the EP (in other words, if you listen to "Naiti Sebya" on it’s own you won’t notice). I’ve listened to both versions of the EP ("Reduce My Pain" and "Ona") and think that overall I prefer the English version. Olga has a firm grip on the English language and the vocals on the English version seem to flow better than on the Russian version. In this case it is to do with Olga’s lyrics and vocal delivery on the 2 different versions and on the English version she has absolutely nailed it! There is only one version of "Naiti Sebya" – in Russian. Both versions of the EP and "Naiti Sebya" are available for FREE DOWNLOAD from Marvel’s website and I very strongly recommend you head over there, download it and listen to it. (For the Cyrillicly impaired: Скачать = download. Go to the Музыка tab to find “Reduce My Pain”). You’ll be very glad you did, and there is something here for everyone. I tried all review to resist the temptation to put it this way but in the end I had to give in: Marvel are just, well, marvellous!

Rating - 95/100


Tracklist

"Reduce My Pain" EP

  1. Tantra
  2. Reduce My Pain
  3. My Own Passion

 

"Naiti Sebya" SINGLE

  1. Naiti Sebya (Найти себя)

 

Line Up

  • Olga Skripova - Vocals
  • Dmitry Poludnitsin  – Guitars
  • Vlad Yemets  – Bass 
  • Dmitry PlyushDez  – Drums 

 

Links

MySpace * ReverbNation * Facebook * Twitter 

 

Артания (Artania) – “Ночь Оденет Тебе Свой Венец” ("Night Shall Crown Ye") (2011)

Label : Grailight Productions

Review by Vard Aman

In Russian: Артания"Ночь Оденет Тебе Свой Венец" ("Noch Odenet Tebe Svoy Venets"). Formed in 2007, Artania hail from Voronezh in Russia (about 450km South of Moscow) and "Night Shall Crown Ye" is their debut offering. They play some highly accomplished melodic Symphonic Black Metal with all of the right ingredients for fans of this genre to enjoy, and enjoy a lot. Artania are very good at what they do but the originality is somewhat lacking. With this album they seem to have chosen to excel at the tried-and-tested rather than to take the ingredients, mix them up a little and create something new or at least somewhat different. The album is generally well produced and the songwriting and performance are of a very high standard. The guitar work is the stand out feature on the album throughout – intricate, melodic and heavy; perfect for this genre of music. The symphonic elements back up the guitar work well, without ever becoming dominant (this could be a good or bad thing depending on your personal tastes). The drums have suffered a bit in the mix however – they sometimes tend to sound a little ‘typewriter-esque’ in places, especially during some of the blast beats, although not nearly as bad as the ‘typewriter-esque’ drum sound on Cradle of Filth’s "Cruelty and the Beast". Fortunately the problem is relatively mild, so it does not detract too much from the overall quality of the album, nor from the quality of the drumming which is really good. The lyrics are all in Russian and cover such topics as the works of Aleister Crowley; the prophecies of Nostradamus; Countess Bathory; etc. The tracks are all in fairly similar vein and/so there are no weak songs on the album but there are a few that do stand out from the others: for me they are "Mysteries of the Order of Priorate Zion"; "Liturgy in Black Colours"; and most notably, "Fogs of Witches' Heath". The vocals, handled mostly by Vadim (aka "Vad Kaiphas") are as they should be for this kind of music with plenty of high and low pitched growls. They’re very effective and well delivered, but never really stray into the realm of the demonically awesome (but that may well still come). Backing vocals are provided by the keyboardist Elena (aka "Bathory"), and here is where I think Artania have missed a trick or two. Elena performs a few spoken word passages, some really good soprano vocals (she has a beautiful clear voice) and also possesses a harsh, cold, evil scream which she delivers most prominently on the final track "Secrets of the Moon" but better on "Fogs of Witches' Heath". Elena has been severely underutilized on this album! Had her vocal talents been used more extensively, they would have added a really dynamic (and evil in the case of her scream) extra dimension to the music and to the sound of the band – something that would have made Artania really stand out from many of the rest of the bands in this genre. There is a hint of what I mean in "Fogs of Witches' Heath" where in places the dual vocals create a considerably more intense atmosphere, as opposed to the standard solo, or dual male vocal growls. Hopefully, Artania will realize the potential of what they have at their disposal in time for their next album, and if they do while continuing to develop on what they have done here on their debut, it should to be a mouth watering cracker of a prospect indeed! "Night Shall Crown Ye" is a good melodic Sympho-Black album and is a must have for any fan of this genre. Don’t expect something new, but expect something good. This is a very competent debut from a very competent band, and they have displayed the potential to grow and to rise above the rest of the genre in the future. Artania – you’d do well to keep an eye open for this name!

Rating - 79/100

 

Tracklist

  1. Алхимический Сон (Демоническая Мантра) (Alchemic Dream – Demonic Mantra)
  2. Ночь Оденет Тебе Свой Венец (Night Shall Crown Ye)
  3. Тайны Ордена Приората Сиона (Mysteries of the Order of Priorate Zion)
  4. Литургия в Чёрных Тонах (Liturgy in Black Colours)
  5. Сан-Гриньол (Театр Смерти) (San-Grinyol – Theatre of Death)
  6. Туманы Ведьминской Пустоши (Fogs of Witches' Heath)
  7. …За Северным Ветром (…Towards Northern Wind)
  8. Тринадцатый Знак Нострадамуса (Thirteenth Sign of Nostradamus)
  9. Секреты Луны (Secrets of the Moon)

 

Line Up

  • Vadim (Vad Kaiphas) - Vocals
  • Alexander (Graf) – Guitar
  • Yuri (Jason L. Madness) – Guitars
  • Elena (Bathory) - Keyboards & Vocals
  • Vyacheslav (Iskariot) – Bass 
  • Artem (Set) – Drums 

 

Links

MySpace * Facebook 

Ambehr – "Amber Dreamland" (2011)

Label : Grailight Productions

Review by Vard Aman

Ambehr was founded in Armenia in 1995 and moved to Russia in 1998, first to St. Petersburg and then to Moscow where they are still based. "Amber Dreamland" is their fourth full length studio album. Describing Ambehr’s sound is a no easy task - they are one of the most unique, original and diverse bands around. They play a variety of styles, but none of the styles they play are typical in any way, and yet it all comes together in a sound that is unmistakably Ambehr. Their roots are still noticeably Armenian (providing you know what "Armenian roots" sound like so that you can notice it – otherwise they’ll just be a band unlike any other you would have heard before – which they are anyway). The term "Amber Metal" has been used before, so let’s stick with it. Think Folk Metal mixed with Power Metal mixed with Progressive Metal but not like any of the kinds of Folk, Power and Progressive you’ve ever heard before – now add to it bits of Traditional Metal, Death, Thrash, Glam and Hard Rock. Sorry, I just cannot do better than that – you’re just going to have to buy the album and listen to it yourself. One of the most noticeable elements of Amber Metal is the dual vocal style of Art and Marina. Most of the time they sing together, complimenting or harmonizing with each other, with some occasional solo vocals from one of them. Both vocalists are very accomplished and very versatile, which they’d need to be to pull off this kind of music. Marina’s singing style ranges from folk to operatic soprano, and everything in between; and Art’s from standard clean vocals to a more Power Metal style of singing and to growls… and everything in between. "Amber Dreamland" is a concept album, with all the songs covering the topics of fairy tales and childhood dreams (or their "dreams of Amber Land" as Marina put it in my recent interview with her). All the songs are in English (with an occasional Armenian passage – in "Nothing to Die For") except for "Garnan Aravot" ("Spring Morning") which is sung entirely in their native Armenian. The songs are catchy, melodic and generally upbeat – as one would imagine songs about the dreams of Amber Land would be. The production on "Amber Dreamland" is crystal clear and the songwriting is excellent. This album also features some outstanding guitar work (you can substitute "outstanding" with "blazing" or "killer" if you like – you get my drift). All the tracks on "Amber Dreamland" are really good, but the diversity of the music on this album will no doubt mean that everyone who listens to it will pick different favourites. I can mention mine: "Proud Heart", "Prince", "Oriental", "All Goes", "Garnan Aravot" and most of all, the titletrack  – it is the slowest track on the album with almost doom-like progressions and melodies, it creates a slightly brooding retrospective atmosphere but with an almost ecstatic and climatic feel to it. It’s a beautiful piece of music indeed! There is not much more I can really say here, other than that you need to buy this album! It would be a good idea to hunt down their previous releases as well; and their new Russian album "Bezdna" (which was recorded at the same time as "Amber Dreamland") is due for release in a few months at the time of writing this review.

Rating - 90/100

 

Tracklist

  1. Proud Heart
  2. Prince
  3. Love Story
  4. Amber Dreamland
  5. Oriental
  6. All Goes
  7. Let's Go Down
  8. Nothing to Die for
  9. A Day in Gehard
  10. Garnan Aravot
  11. Magic Wand

 

Line Up

  • Marina - Vocals
  • Igor – Guitars
  • Art – Bass & Vocals
  • Hrant – Drums 

 

Links

MySpace 

Interview : Olga Skripova - Marvel

 

Interview by Vard Aman


Marvel formed in 2006 in Kiev, Ukraine, where they are still based. Outside Ukraine, they are perhaps not that well known, but they certainly deserve to be – they are one of those bands that need discovering; and one of those bands that we will find are totally amazing when we do discover them. A hidden gem in the dust; one that equals, if not surpasses the quality of many of the gems we already know about and own; a gem that turns out to be, well… marvellous! And they are! They play a style that is very hard to define, so hard to define that I’m not going to try; you’re just going to have listen to them. Fronting this unique and immensely talented outfit is Olga Skripova, with her meticulously controlled and powerful vocals. I got the opportunity to interview her!

Hello Olga, welcome to Femme Metal Webzine.

Hi!

When did you start singing? Is it something you’ve always wanted to do?

I started singing when I was seven at music school’s choir. At 17 I joined girls’ jazz band. There were seven girls and we sang classic jazz songs in vocal arrangement. At the same time I had rock band (with Anastasia of Delia). After that I sang in another rock band at the university. I like singing very much, especially driving songs!

How did you all meet and how did Marvel start? Were you in the band right from the beginning?

We met at the University of Culture and Art where we all were studying sound engineering. At that time we didn’t know what music we wanted to play. First year we were trying to find our own music style. At the end of the second year of Marvel’s existence two of the musicians (bassist and drummer) left the band. Me and the guitarist asked to some new guys to join Marvel and we started to record our first album.

How did audiences in Ukraine react to Marvel in the beginning?

Not bad. We played many concerts in all possible clubs and festivals. We had many friends who came to our concerts. It was a good time, it was fun.

Tell us a bit about your first album, "V Kazhdom iz Nas".

"V Kazhdom iz Nas" is very important work for us. We spent much time and energy recording the songs. When we released the album we got a lot of positive comments from people and invitations to participate in big concerts and festivals with famous rock bands, as a support. This album was officially released and sold in majority music shops in Ukraine.

And you recorded some music videos, right?

Yes! We have video clip "Vje ne tut" ("Not here"). The filming was done at a concert in Kiev. This video doesn’t have some idea or story; it is only a Marvel presentation. That’s why we chose a quick energetic song.

Then you recorded your EP, "Ona" and its English twin "Reduce My Pain" – and this was the first release of yours I heard after being introduced to you. First of all, I really like the album cover! Tell us a bit about it and why you chose it.

It is really a beautiful drawing. This picture we found in internet. We wrote to the author of this work immediately. His name is Elton Fernandes and he is from Rio de Janeiro (Brazil). I like style and colors of this. I think this woman with wings (probably she is some kind of an angel I don’t know) symbolizes life with ups and downs.

When I listen to the EP from beginning to end, I get the impression of quite an intense musical "journey" taking place. Did you deliberately write it that way or is that just the way Marvel’s music is? Give us a little insight into your songwriting process.

My aim was to write three different stories with different feelings and emotions. But you’re right - there is a connection between the songs. First song ("Tantra") is about personal feelings and beautiful emotions which we feel when we’re in love. After that euphoria the fear comes, because we worry about loved ones (like everybody). "Reduce My Pain" is something about that. And finally we understand that life is a good thing. "My Own Passion" is a very positive and life -asserting song about our music and life.

And now for the tough one! Describe Marvel’s sound and style to someone who hasn’t heard your music.

Something like this: Marvel is a lyrical music and profound texts with driving guitar riffs. Check it out guys!

How has your sound changed between when you first started out to your first album and to your most recent single "Naiti Sebya"?

I think difference is very big. Firstly, because we recorded the album and the single "Naiti Sebya" at different studios using different equipment. And we wanted to do something new when we worked on the single. We wanted to get nice rich sound with modern elements. I think that to find a new sound is very important for each band.

How often do you play live, and how is the support for your shows now?

Now we play rarely because we are working on new songs.

Have you done any tours inside and outside of Ukraine?

We played in many towns in Ukraine. And we’ve been to Belarus twice.

Do you have any personal favorite Marvel songs, or songs that have a special meaning to you?

I love the new songs. My favorite song is the newest song always.

What bands/music do you like to listen to (other than Marvel)?

I like many bands. Katatonia, Godsmack, Guano Apes, Queen, Pink Floyd, Karnivool and many many other! They inspire me to create.

What do you like doing outside of Marvel? Do you have any hobbies or interests?

Yes. I like travelling. I always go to the different city or country when I have free time. And I work at a TV Channel as a music redactor. I write about music stars and choose video clips for the TV Channel’s audience.

What is next for Marvel?

I think it is new album. We have some new songs in English. And I hope you’ll hear them soon.

That sounds good! What can we expect from your new album?

I think it will be interesting. Now we are working on change of music style. We try to compose more progressive songs with actual elements and sound. It is difficult but I believe we can destroy our usual views on structure of songs. Our new album will be not similar to the first.

OK, Olga, thanks very much for talking to us! We wish you every success and we’re all looking forward to hearing the new album, and lots more from you and Marvel in the future!

Thank you! Goodbye.

 

Links

MySpace * ReverbNation * Facebook * Twitter 

 

Latest Multimedia

Interview : Anastasia Sverkunova - Delia

 

Interview by Vard Aman


We are all familiar with the big names of female fronted Metal: Nightwish; Within Temptation; Lacuna Coil; etc. These are the names that dominate the scene and these are the names that dominate conversations when the topic turns to female fronted Metal. We may say, and correctly so, that this is deserved because they are all really good bands, but there is another reason too; and that reason is simply that these are the names that we have all gotten to know, one way or another. Beyond these big names, there are numerous bands that are much less well known. Some of these bands, it is probably true to say, are mediocre at best; but some of them we will find are very good bands indeed! We just have to look for them. And if we do, every now and then, we may find a band that is of truly outstanding quality – an overall package of both artistry and professionalism that easily rivals, and even surpasses many of the best and the biggest that the scene has to offer. I believe that I have found just such a band! They’re called Delia, and they come from Kiev, Ukraine. Delia present a highly professional and complete package, excelling in all aspects of what they do: their creativity; their songwriting; their performance; their live shows; the quality of their productions; and their music videos. They have very quickly become one of my favorite bands! Fronting Delia is Anastasia Sverkunova – a vocalist with a truly immense voice. She is highly versatile and possesses a huge range. She is capable of both raw power and intricate subtlety, and she sings with real feeling and emotion. Her voice dominates, yet blends with the music simultaneously. She has very quickly become one of my favorite singers! And I got the chance to interview her!

Hi Anastasia! Welcome to Femme Metal Webzine, it's a great pleasure to have the chance to talk to you! First of all, could you introduce us to the members of Delia?

Hi Vard! I’m very glad to talk to you too. Here we are: me, Anastasia Sverkunova – vocals, Sergey Sirko – guitars, Michael Gudzenko – bass-guitars and Vitaliy Tolkachev – drums.

How did you all meet and how did the band start?

One night of August 2005 I was reading some topics on the music forum and found some ads about needed vocalists to different bands. I had already had experience in playing and singing in bands before and decided to try again. So I called to the first phone number I saw on the first ad and Sergey replied me. The next weekend was our first rehearsal.

How did you choose the name Delia? Does it have any special meaning?

When we just started to play together we still didn’t have a name. All of us offered different variants but we couldn’t find the best one. And one day I was reading psychological vocabulary and found the word "delia" (which means "illusion" in Greek) and it was the right choice! But the meaning of the name according to our music is the issue for long thinking and discussions – everyone can explain it as he likes.

How would you describe Delia's music?

Mmm… it’s the most FAQ, that we have no clear answer. Mostly our style is described as "symphonic metal", earlier it used to be described as "gothic metal". But each new song has a bit different sound than previous, and we don’t like to put our music in "style framework". So… let it be metal, just not ordinary Ukrainian metal.

What would you say are the main influences for you music?

There are lots of bands we like, and they are really very different as every member of Delia has absolutely different music preferences. But in common, they are Lacuna Coil, Rammstein, Evanescence, Korn, Within Temptation and from non-metal – Bjork, Lara Fabian, even Skrillex and many many others.

Tell us a little about your releases so far.

Our first serious release was in February 2010, it was our CD "Spogad" ("Recollection"). We have 2 versions of the album – Ukrainian and English. Ukrainian version we released at ЯОК Music company – Ukrainian label and English one we didn’t release officially yet as we are still looking for a good label abroad to cooperate with. The CD consists of 13 songs and 2 bonus-tracks, one of which is in Spanish. In autumn 2011 we also released EP "Vogon" ("Fire"), also in 2 versions – 1 for our Ukrainian and Russian fans, and 2 – for our fans abroad. You can download both versions for free on our official website.

Do you have any personal favorites from your releases and/or songs that have a special meaning for you?

Every song is special for me, ‘cause every song is kind of the description of a period of my life - not only real events that happened to me, but my thoughts, worries, doubts, memories, hopes, impressions etc. And each 2-3 months I have my new favorites. Previous one was "Sprobuy" ("Try") form the EP, now it’s the new song that will be released soon (I hope).

You were born in Pripyat just before the Chernobyl disaster and the song "Dead City" is about Pripyat and dedicated to its memory. Many of the scenes for the video were shot on location in Pripyat. What was it like going back there and filming there?

It wasn’t my first trip to Pripyat after Chernobyl disaster. I have already visited my native city before making the video. But each time I come back to that place I feel mix of emotions – from despair, sadness and even fear to enchantment, unreality… Absolutely empty city… just huge trees through the buildings and total silence… It’s very hard to explain – you should visit that place.

What are your plans for the future and what can we expect from your next album?

The nearest upcoming event is the release of our new video to the song "Vogon" ("Fire") – both in Ukrainian and English versions. Hopefully we all can enjoy it in February. Next album is a difficult question, because now Delia has a period of experiments and all our new songs are in different styles and mixed languages and there are still many things we want to try and to use in our new tracks. I hope that this year we will have some releases but it’s the question if it’s gonna be an album or some different singles. Anyway we will try our best to surprise our fans and extend our capabilities!

Do you have plans to get a permanent keyboardist?

We don’t have a plan to find a permanent keyboardist, but we are open for cooperation and will be happy if one more good person will join our "family" – whether keyboardist, DJ, violinist etc.

One of the many things I really like about Delia is the amount of creative attention to detail in all aspects of what you do – from your songwriting and playing, to your videos and your live shows. A good example for me is some of the subtleties in the storyline (and in the editing) of the video for "Zabutiy Krai" ("Forgotten Land") that I only picked up after watching it several times, and the overall product certainly made me want to watch it on repeat. Is this a dedicated effort or is it just the natural way you do things? Or both?

We really pay much attention to the details because the details are the least visible but the most important part of the product. But we don’t make any special effort, we just work like we do and hope that our fans enjoy the results.

What is the metal scene like in Ukraine? Do you get a lot of support at your shows?

Unfortunately Ukrainian metal bands are not very demanded among Ukrainians. When world metal stars come to Ukraine – there are thousands of fans who come to their shows. But when Ukrainian bands perform we can hardly see more than 300 people in a hall. Of course everything depends on organization, how popular is the band and how many shows are the same day. But it’s strange that even our band, who is popular enough in Ukraine and not very popular outside the country, receives more requests for CD purchase from abroad than from our native country. Ukrainians are very special people, if you want them to love you, you should firstly become popular somewhere abroad. But those people who come to our shows give us really as much support as we expect and to play for them is a real pleasure!

Have you played any shows outside Ukraine?

No, unfortunately we haven’t yet. Honestly, before previous year we didn’t try hard to become well-known abroad but now we have changed our approach and hopefully will perform somewhere outside Ukraine very soon.

What parts of playing in a band do you like the most?

At rehearsals I like when we play new songs and make new covers to our favorite bands. But all of us like the most the live shows, especially if it is recital or themed concert. And, of course, the process of songwriting is also one of my favorite part of work!

And what parts, if any, don’t you like so much?

Hmm… as for me, it’s the time of the last editing of a song at the studio. All the time I find something that I’d like to change and can not stop! I always need someone to stop me or we would never finish this process.

Outside of Delia do you have any special interests and things you like doing?

OMG, there are soooooo many things… I like travelling, learning languages, dancing (each term different style), roller skating, playing the violin and the piano, snowboarding, kart racing, translating poetry, kayaking, horse riding and lots of other things… Honestly it’s a problem for me because I want to try everything but at the end I’m not good enough in anything… But it’s who I am.

I hear Michael is an avid rally driver. Does he race often?

Michael is really very interested in racing, he participates in some local rallies and hopefully we will see him on the pedestal of WRC soon!

Thank you very much for the interview Anastasia! We’re hoping to hear and see much more of you in the future, and I am certainly going to be following Delia very closely!

Thank you very much! We will be happy to inform you and all our fans about all our news and upcoming events!

 

Links

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Ex Libris - "Medea" DEMO (2011)

Independent Release

Review by Tony Cannella

My first introduction to Holland’s Ex Libris was on the Femme Metal compilation "Beauty and Brutality" with their excellent contribution "Destined". That song also appeared on their debut full-length which was released in 2008. Now this powerhouse, heavy, progressive band returns with a new 3-song 21-minute demo called "Medea". All three songs on "Medea" are in the 7-8 minute range and show Ex Libris at their best and give the listener a diverse look at the band. The opener "Medea" blasts off and has an almost thrash metal like feel to it. On the next track "Murderess in Me", the tempo is a bit slower but just as heavy, with hints of classic metal and some great operatic vocals from Dianne van Giersbergen (no relation to Anneke, I don’t think). Even though Ex Libris has been described as Goth (isn’t every metal band with a female singer, these days?) or symphonic metal, to me they sound closer to a technical progressive metal. They are heavier than your average prog metal band, but they play with an impressive amount of technicality and the songs are also well written and quite enjoyable. The 7-minute "Daughter of Corinth" brings "Medea" to an intense conclusion with a barrage of heavy riffs and Dianne’s in-your-face vocals. Through these three songs presented on "Medea", Ex Libris shows where they are headed in the future. This is an excellent return to form from one of Holland’s best up-and-coming bands.

Rating - 78/100

 

Tracklist

  1. Medea
  2. Murderess in Me
  3. Daughter of Corinth

 

Line Up

  • Dianne van Giersbergen – Vocals
  • Paul van den Broek – Guitars
  • Koen Stam – Keyboards
  • Peter den Bakker – Bass
  • Joost van de Pas – Drums

 

Links

MySpace * ReverbNation *  Facebook * Twitter * Site

Evil Rise - "…In War and Hate" (2011)

Label : Evil Mind Records

Review by Tony Cannella

One of the most endearing traits (in my opinion) that Spain’s Evil Rise possesses is their penchant for delivering some top-notch old school metal music. No "modern metal" for these guys and girls, not at all, and that’s not a bad thing. On their debut album "…In War and Hate" they wear their metal hearts on their sleeves and the results are, well, gloriously metal. Being that this is a self financed independent release, the sound is a bit rough around the edges, but that is okay, it only gives "…In War and Hate" a more raw, old school metal sound, further adding to the charm. The opening "Intro (to the Battle)" segues perfectly into the crunchy riff-o-rama and thrash like intensity of "In War and Hate". "Red Sun" is up next and starts off with a softer tempo before the guitars come crashing into the fray and transforms this excellent track into a grinding, heavy tune – that guitar riff is just massive. You cannot deny the vocalist Sarah Evil either. Technically she is not a great singer, but for the old school style metal that her band is playing behind her, she is just amazing. The thrashy "Metal Seeds" and "At the House of Pain" are two other highlights. The album lags a bit for a few songs before the 8-minute metal tour de force "Evil Dies" ends the album perfectly. This is just a great way to close things out with epic performances all the way around, the song also features a killer guitar solo by Oscar G. that is pure metal. "…In War and Hate" is not the perfect album by any stretch of the imagination, and Evil Rise has plenty of room to grow. That being said, I really can’t criticize Evil Rise, they do what they love and they pull it off in convincing fashion.

Rating - 82/100

 

Tracklist

  1. Intro (to the Battle)
  2. In War and Hate
  3. Red Sun
  4. Metal Seeds
  5. My Hope
  6. At the House of Pain
  7. Run or Walk
  8. Evil Rise
  9. Evil Dies

 

Line Up

  • Sarah Evil – Vocals
  • Oscar G. – Guitars
  • Nuria – Bass
  • Koko – Drums

 

Links

MySpace * ReverbNation * Facebook

Eternity Stands Still – "The Reckoning" EP (2010)

Independent Release

Review by Tony Cannella

From Italy, Eternity Stands Still released their debut EP "The Reckoning" back in 2010. The band is quite adept at melodic power metal and you get 18-minutes worth of it on "The Reckoning". As far as power metal goes there is really not much here to separate Eternity Stands Still from the crowded power metal field. But that is not to say that "The Reckoning" is not a worthwhile release. It absolutely is and is deserving of a spin or two. The EP begins with "The Reckoning" the opening to the song offers early era Queensryche style guitar harmonies and lead vocalist Vale has a soaring vocal style that is perfect for a power metal band and she pretty much sings in that style throughout the EP. Next is "The Pilgrim", this is another song that is quite melodic, it more of a mid-tempo vibe than the previous one. "The Forsaken God", "The Nameless City" and "The Light" round out the EP and doesn’t offer much departure from their signature power metal sound. I found myself going back and forth in my opinion of "The Reckoning". It took a few listens, but I really grew to like "The Reckoning", still I can’t help but feel that Eternity Stands Still are capable of so much more.

Rating - 77/100

 

Tracklist

  1. The Reckoning
  2. The Pilgrim
  3. The Forsaken God
  4. The Nameless City
  5. The Light

 

Line Up

  • Vale – Vocals
  • Richy25 – Guitar
  • Savage – Bass
  • Phulvio – Drums

 

Links

MySpace * ReverbNation *  Facebook * Twitter 

Eternal Dream – "The Fall of Salanthine" (2012)

Independent Release

Review by Tony Cannella

Fans who have a love for melodic, up-tempo, symphonic epic metal ala classic Helloween, Dark Moor and Rhapsody of Fire and can’t get enough of the genre, the Spanish band Eternal Dream are one to check out for sure. This band first came on our radar with their 2009 7-song EP "The Seed of Naryll". Right away they established what the band represents both musically and lyrically. Eternal Dream returns with their debut full-length "The Fall of Salanthine" and compared to the aforementioned EP, Eternal Dream has definitely hit another gear and has come into their own. First off, five of the seven songs that appeared on the EP are also on "The Fall of Salanthine". They have been re-recorded and benefit greatly from the superior production. Eternal Dream are firing on all cylinders and vocalist Ana Moronta is singing so good and has a strong vocal range. Maybe from a variety stand point; this is not the most varied release you will ever hear. You pretty much know what you are going to get from Eternal Dream, which is up-tempo metal with a huge, extravagant presentation and songs that are fantasy based. They do what they do and do it very well. The intro "March of the Immortals" has an epic fantasy movie soundtrack vibe to it as it segues into the intense opener "God of War". This is a great way to start things as the track is just a fast paced, up-tempo masterpiece. Songs like the powerful "Last Battle of a Hero", "Symphony of Horizon" and "Elysion Era" keeps things pretty much on a steady course. The ballad "Farewell" slows the pace down a bit and allows the listener to catch their breath. Ana performs a duet with Alexis Serrano of the band Anamnesis on "Farewell" and it proves to be one of the highlights. The violin and piano dominated "The Rising" is just a short interlude between songs as "Frozen Salanthine" picks up the tempo once again. This song is just flat out intense, with an awesome guitar solo and a galloping rhythm that just won’t quit. "The Fall of Salanthine" is concluded by the epic trilogy "Memories of a Lyliac at Dawn", thus ending this beautiful album with an exclamation point. While bands who play this epic symphonic power metal tend to sound the same at times, Eternal Dream definitely has the ability to stand out thanks to the material on "The Fall of Salanthine". Sometimes when a band releases concept albums they paint themselves into a corner and tend to get pigeonholed as a conceptual band. I hope that doesn’t happen with Eternal Dream. Their songs are good enough to stand on their own and that is all that matters in the grand scheme of things.

Rating - 95/100

 

Tracklist

  1. March of the Immortals
  2. God of War
  3. Last Battle of a Hero
  4. Symphony of Horizon
  5. Elysian Era
  6. Farewell
  7. The Rising
  8. Frozen Salanthine
  9. Sweet Wrath
  10. The Beast and the Rose
  11. Waters of Reality
  12. Memories of a Lyliac Dawn Act I – Genesis
  13. Memories of a Lyliac Dawn Act II – Beauty of Eterna
  14. Memories of a Lyliac Dawn Act III – Epica and the Bliss

 

Line Up

  • Ana Moronta – Vocals
  • Niko Hartmann – Guitars
  • Alvaro Sabin – Guitars
  • Cesar Rodriguez – Keyboards
  • Antonio Motta – Bass
  • Andy Montalbetti – Drums

 

Links

MySpace * ReverbNation *  BandCamp * Facebook * Twitter * Site